Photographer: Buttface McGee
Photographer: Buttface McGee
2017 rolled in with a burning desire to start creating again, and Brian went about finding a way to do that without being able to play any instruments. He bought a MAC and some songwriting software and figured out how to write songs on the computer with MIDI, using both hands to control the mouse. Digging through pieces of songs he’d written years earlier, he incorporated country, blues, and soul influences and was happy with the reinvention. Motivated by a songwriting contest he’d discovered, he booked some studio time and brought musicians in to play along with the tracks from his computer, keeping the bass and drum parts that he had programmed. It was the catalyst that he needed to get back on the musical path, and Brian set his intentions on recording his first full length.
Engineer and producer, Marc Benning works from Hideaway Studio, a residential recording retreat near Colorado Springs. Brian had met Marc through mutual friends years earlier and knew that Hideaway was where he wanted to record the album. Marc was to engineer, co-produce and play bass. Erik Deutsch (Leftover Salmon), renowned studio and touring musician, offered to travel from his home in Brooklyn to add keys to the project. Dan Schwindt (Kyle Hollingsworth Band), acclaimed guitarist, would handle the 6 string, which Brian could no longer play, and Denver’s most in-demand drummer, Carl Sorensen (Dragondeer, Chimney Choir, In Planes), completed the rhythm section. The horns would be led by sax legend, Dwight Bement (Gary Puckett & The Union Gap Band, Frank Zappa’s Blackouts), who arranged the horn parts and brought on a trumpet player, Chris Lawson. Brian would sing lead vocals and Kim Dawson (The Pimps of Joytime) and Tanya Shylock (formerly with The Motet) would provide backing vocals. It was a dream team for an inspired project!
Brian’s dad played in a rock band in the’70s, and was the motivating factor in Brian’s relationship with music from a young age. In March of 2017, he was diagnosed with stage four lung cancer. This stoked the fire in Brian to get songs written and recorded quickly so his dad could hear them. Brian wrote 19 between March and October and with his father in mind, went into the studio with no rehearsals, only the demos that he had made on his computer to guide the way. Twelve songs were recorded in three days! It was an old soul rendering of new music, connecting Brian’s creative energy with a group of talented players.
With as many setbacks as Brian has encountered in the last couple of decades of his life, it would have been easy to simply give up. Instead, he’s chosen to embrace the things that have befallen him and push forward with the abilities he still has. He believes in the healing power of music, and sees it as a way to stay connected to people. With a planned spring release of his new album, Be Kind, Brian is hoping to take the next step in getting his music out to the world. He is intent on turning the worst thing in his life into the best thing in his life, he says “as long as I can sing, I need to be singing.”
Sarah Bennett – firstname.lastname@example.org